Fantastic Beasts and Where to Find Them | 神奇动物在哪里(英文版)

Fantastic Beasts and Where to Find Them | 神奇动物在哪里(英文版)

The Original Screenplay

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作品简介

本书为《神奇动物在哪里》的电影剧本,英文原版,由J.K.罗琳亲自创作,也是她的剧本处女作。中文翻译版:https://read.douban.com/ebook/33715993/

这个故事由霍格沃茨学院的课本《神奇动物在哪里》衍生而来,但比哈利·波特的故事早了几十年,且发生在地球另一端的美国。

魔法动物学家纽特·斯卡曼德带着一个神秘的皮箱抵达纽约。他本打算保护箱子里的神奇动物逃离危机四伏的魔法世界,但动物们却意外出逃。本打算短暂停留的纽特,不得不和新认识的三个小伙伴在纽约展开一场惊心动魄的冒险之旅。

When Magizoologist Newt Scamander arrives in New York, he intends his stay to be just a brief stopover. However, when his magical case is misplaced and some of Newt's fantastic beasts escape, it spells trouble for everyone…

Inspired by the original Hogwart's textbook by Newt Scamander, Fantastic Beasts and Where to Find Them: The Original screenplay marks the screenwriting debut of J.K. Rowling, author of the beloved and internationally bestselling Harry Potter books. A feat of imagination and featuring a cast of remarkable characters and magical creatures, this is epic adventure-packed storytelling at its very best. Whether an existing fan or new to the wizarding world, this is a perfect addition for any film lover or reader's bookshelf.The film Fantastic Beasts and Where to Find Them will have its theatrical release on 25th November 2016.

J.K. Rowling is the author of the bestselling Harry Potter series of seven books, published between 1997 and 2007, which have sold over 450 million copies worldwide, are distributed in more than 200 territories and translated into 79 languages, and have been turned into eight blockbuster films by Warner Bros. She has written three companion volumes to the series in aid of charity: Quidditch Through the Ages and Fantastic Beasts and Where to Find Them in aid of Comic Relief; and The Tales of Beedle the Bard in aid of her children’s charity, Lumos. Her website and e-publisher Pottermore is the digital hub of the Wizarding World. She collaborated with writer Jack Thorne and director John Tiffany on the stage play Harry Potter and the Cursed Child Parts One and Two, which premiered in 2016 in London’s West End. J.K. Rowling is also the author of a novel for adult readers, The Casual Vacancy, and, under the pseudonym Robert Galbraith, of three crime novels featuring private detective Cormoran Strike, which are to be adapted for BBC television. Fantastic Beasts and Where to Find Them is J.K. Rowling’s first screenplay.

作品目录

  1. SCENE 1 EXT. SOMEWHERE IN EUROPE—1926—NIGHT
  2. SCENE 2 EXT. SHIP GLIDING INTO NEW YORK—NEXT MORNING
  3. SCENE 3 EXT. NEW YORK—DAY
  4. SCENE 4 EXT. SHIP/INT. CUSTOMS—SHORTLY AFTERWARDS—DAY
  5. SCENE 5 EXT. STREET NEAR CITY HALL SUBWAY—DUSK
  6. SCENE 6 EXT. NEW YORK STREET—DAY
  7. SCENE 7 EXT. ANOTHER STREET, STEPS OF THE CITY BANK—DAY
  8. SCENE 8 INT. LOBBY OF BANK—MOMENTS LATER—DAY
  9. SCENE 9 INT. BINGLEY’S OFFICE—MOMENTS LATER—DAY
  10. SCENE 10 INT. BACK ROOM OF THE BANK—MOMENTS LATER—DAY
  11. SCENE 11 INT. BINGLEY’S OFFICE—MOMENTS LATER—DAY
  12. SCENE 12 INT. BEHIND THE BANK COUNTERS—MOMENTS LATER—DAY
  13. SCENE 13 INT. BANK, HALL—MOMENTS LATER—DAY
  14. SCENE 14 INT. BACK ROOM OF THE BANK/STAIRCASE—DAY
  15. SCENE 15 INT. BASEMENT CORRIDOR OF BANK LEADING TO VAULT—DAY
  16. SCENE 16 EXT. DESERTED SIDE STREET NEXT TO THE BANK—DAY
  17. SCENE 17 EXT. NARROW ALLEYWAY OPPOSITE BANK—DAY
  18. SCENE 18 EXT. BROADWAY—DAY
  19. SCENE 19 INT. WOOLWORTH BUILDING RECEPTION—DAY
  20. SCENE 20 INT. MACUSA LOBBY—DAY
  21. SCENE 21 INT. ELEVATOR—DAY
  22. SCENE 22 INT. MAJOR INVESTIGATION DEPARTMENT—DAY
  23. SCENE 23 INT. BASEMENT—DAY
  24. SCENE 24 INT. WAND PERMIT OFFICE—DAY
  25. SCENE 25 EXT. STREET ON THE LOWER EAST SIDE—DAY
  26. SCENE 26 INT. JACOB’S ROOM—DAY
  27. SCENE 27 INT. SECOND SALEM CHURCH, MAIN HALL—DAY—MONTAGE
  28. SCENE 28 INT. SECOND SALEM CHURCH, MAIN HALL—DAY
  29. SCENE 29 EXT. SECOND SALEM CHURCH, BACKYARD—DAY
  30. SCENE 30 INT. SECOND SALEM CHURCH, MAIN HALL—DAY
  31. SCENE 31 EXT. MAIN STREET ON THE LOWER EAST SIDE—AFTERNOON
  32. SCENE 32 INT. JACOB’S ROOM—AFTERNOON
  33. SCENE 33 EXT. TENEMENT STREET—AFTERNOON
  34. SCENE 34 INT. JACOB’S ROOM
  35. SCENE 35 INT. JACOB’S ROOM—AFTERNOON
  36. SCENE 36 EXT. UPPER EAST SIDE—AFTERNOON
  37. SCENE 37 INT. SHAW TOWER NEWSROOM—DUSK
  38. SCENE 38 INT. SHAW SR’S PENTHOUSE OFFICE—DUSK
  39. SCENE 39 EXT. BROWNSTONE STREET—SHORTLY AFTERWARDS—DUSK
  40. SCENE 40 INT. GOLDSTEIN RESIDENCE, STAIRWELL—DUSK
  41. SCENE 41 INT. GOLDSTEIN RESIDENCE, SITTING ROOM—DUSK
  42. SCENE 42 EXT. BROADWAY—NIGHT
  43. SCENE 43 EXT. ALLEYWAY—NIGHT
  44. SCENE 44 INT. GOLDSTEIN RESIDENCE, SITTING ROOM—HALF AN HOUR LATER—NIGHT
  45. SCENE 45 INT. GOLDSTEIN RESIDENCE, BEDROOM—NIGHT
  46. SCENE 46 INT. NEWT’S CASE—A MOMENT LATER—NIGHT
  47. SCENE 47 INT. NEWT’S CASE, ANIMAL AREA—DAY
  48. SCENE 48 EXT./INT. STREET OUTSIDE SECOND SALEM CHURCH—NIGHT
  49. SCENE 49 EXT. CENTRAL PARK—NIGHT
  50. SCENE 50 EXT. DIAMOND DISTRICT—NIGHT
  51. SCENE 51 EXT. CENTRAL PARK—NIGHT
  52. SCENE 52 EXT. GOLDSTEIN RESIDENCE—NIGHT
  53. SCENE 53 INT. GOLDSTEIN RESIDENCE—NIGHT
  54. SCENE 54 EXT. CENTRAL PARK ZOO—NIGHT
  55. SCENE 55 INT. CITY HALL—NIGHT
  56. SCENE 56 EXT. DARK STREET—NIGHT
  57. SCENE 57 EXT. STREET NEAR CITY HALL—NIGHT
  58. SCENE 58 INT. CITY HALL—NIGHT
  59. SCENE 59 INT. MACUSA LOBBY—NIGHT
  60. SCENE 60 INT. PENTAGRAM OFFICE—NIGHT
  61. SCENE 61 INT. MACUSA CELL—DAY
  62. SCENE 62 INT. SECOND SALEM CHURCH, MAIN HALL—DAY—MONTAGE
  63. SCENE 63 EXT. STREET OUTSIDE SECOND SALEM CHURCH—DAY
  64. SCENE 64 INT. MACUSA CELL/CORRIDOR—DAY
  65. SCENE 65 INT. INTERROGATION ROOM—DAY
  66. SCENE 66 INT. SHABBY BASEMENT MEETING ROOM—DAY
  67. SCENE 67 INT. CORRIDOR LEADING TO DEATH CELL—DAY
  68. SCENE 68 INT. MACUSA LOBBY—DAY
  69. SCENE 69 INT. DEATH CELL—DAY
  70. SCENE 70 INT. CORRIDOR LEADING TO GRAVES’S OFFICE—DAY
  71. SCENE 71 INT. DEATH CELL—DAY
  72. SCENE 72 INT. CORRIDOR LEADING TO GRAVES’S OFFICE—DAY
  73. SCENE 73 INT. DEATH CELL—DAY
  74. SCENE 74 INT. DEATH CELL CORRIDOR—DAY
  75. SCENE 75 INT. MACUSA LOBBY—MINUTES LATER—DAY
  76. SCENE 76 INT. DEATH CELL CORRIDOR/BASEMENT CORRIDOR—DAY
  77. SCENE 77 INT. STAIRS LEADING TO CELLS—MOMENTS LATER—DAY
  78. SCENE 78 INT. MACUSA LOBBY—MINUTES LATER—DAY
  79. SCENE 79 EXT. STREETS OF NEW YORK—LATE AFTERNOON
  80. SCENE 80 EXT. ROOFTOP WITH PIGEON COOP—DUSK
  81. SCENE 81 EXT. THE BLIND PIG—NIGHT
  82. SCENE 82 INT. THE BLIND PIG—NIGHT
  83. SCENE 83 INT. SECOND SALEM CHURCH—NIGHT
  84. SCENE 84 INT. MODESTY’S BEDROOM—NIGHT
  85. SCENE 85 INT. SECOND SALEM CHURCH—NIGHT
  86. SCENE 86 INT. MODESTY’S BEDROOM—NIGHT
  87. SCENE 87 INT. SECOND SALEM CHURCH—NIGHT
  88. SCENE 88 INT. SECOND SALEM CHURCH, UPSTAIRS LANDING—NIGHT
  89. SCENE 89 EXT. DEPARTMENT STORE—NIGHT
  90. SCENE 90 INT. DEPARTMENT STORE—NIGHT
  91. SCENE 91 INT. DEPARTMENT STORE, ATTIC STOREROOM—NIGHT
  92. SCENE 92 INT. NEWT’S CASE—SHORTLY AFTERWARDS—NIGHT
  93. SCENE 93 EXT. SECOND SALEM CHURCH—NIGHT
  94. SCENE 94 INT. SECOND SALEM CHURCH—NIGHT
  95. SCENE 95 EXT. TENEMENT IN THE BRONX—NIGHT
  96. SCENE 96 INT. TENEMENT IN THE BRONX, HALLWAY—NIGHT
  97. SCENE 97 INT. TENEMENT IN THE BRONX, DERELICT ROOM—NIGHT
  98. SCENE 98 EXT. TENEMENT IN THE BRONX—NIGHT
  99. SCENE 99 EXT. SQUIRE’S ROOFTOP—NIGHT
  100. SCENE 100 EXT. TIMES SQUARE—NIGHT
  101. SCENE 101 EXT. TIMES SQUARE—NIGHT
  102. SCENE 102 INT. MAJOR INVESTIGATION DEPARTMENT, MACUSA—NIGHT
  103. SCENE 103 EXT. ROOFTOPS OF NEW YORK—NIGHT
  104. SCENE 104 EXT. OUTSIDE A SUBWAY STATION—NIGHT
  105. SCENE 105 EXT. ROOFTOPS/STREETS OF NEW YORK—NIGHT
  106. SCENE 106 INT. SUBWAY—NIGHT
  107. SCENE 107 EXT. SUBWAY ENTRANCE—NIGHT
  108. SCENE 108 INT. SUBWAY—NIGHT
  109. SCENE 109 EXT. SUBWAY ENTRANCE—NIGHT
  110. SCENE 110 INT. SUBWAY—NIGHT
  111. SCENE 111 EXT. SUBWAY ENTRANCE—NIGHT
  112. SCENE 112 INT. SUBWAY—NIGHT
  113. SCENE 113 EXT. SUBWAY ENTRANCE—NIGHT
  114. SCENE 114 INT. SUBWAY—NIGHT
  115. SCENE 115 EXT. SUBWAY ENTRANCE—NIGHT
  116. SCENE 116 INT. SUBWAY—NIGHT
  117. SCENE 117 EXT. NEW YORK—SKY—DAWN
  118. SCENE 118 EXT. SUBWAY ENTRANCE—DAWN
  119. SCENE 119 INT. SUBWAY PLATFORM—DAWN
  120. SCENE 120 EXT. SUBWAY—DAWN
  121. SCENE 121 EXT. JACOB’S CANNING FACTORY—A WEEK LATER—EARLY EVENING
  122. SCENE 122 EXT. NEW YORK HARBOUR—NEXT DAY
  123. SCENE 123 EXT. JACOB’S BAKERY, LOWER EAST SIDE—THREE MONTHS LATER—DAY
  124. SCENE 124 INT. JACOB’S BAKERY, LOWER EAST SIDE—DAY
  125. AGKNOWLEDGEMENTS
  126. GLOSSARY OF FILM TERMS
  127. GAST AND GREW
  128. ABOUT THE AUTHOR
  129. ABOUT THE BOOK DESIGN
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